Abu Dhabi Campus

Research Output

Filter
Chapter
Chapter

--“Oliver Wendell Holmes, Sr.,” in Fifty Writers on Photography

Zamir, S., 2012, Routledge.

Research output: Chapter in Book/Report/Conference proceedingChapter

“On the Banks of the Ganges” by Zamiruddin Ahmad, The Annual of Urdu Studies

Zamir, S., 2000, The Annual of Urdu Studies. p. 245-269

Research output: Chapter in Book/Report/Conference proceedingChapter

“Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model,”

Stemmrich, G., 2013, “Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Public Health, the State, and Religious Scholarship: Considering sovereignty in Idrīs al-Bidlīsī's (d.1520) arguments for fleeing the plague,”

Stearns, J., 2017, “Public Health, the State, and Religious Scholarship: Considering sovereignty in Idrīs al-Bidlīsī's (d.1520) arguments for fleeing the plague,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Rauschenbergs Bed und die europäischen Vorläufer des combine painting,”

Stemmrich, G., 2000, “Rauschenbergs Bed und die europäischen Vorläufer des combine painting,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Revisionist Adaptation: Transtextuality, Cross-Cultural Dialogism, and Performative Infidelities, in Thomas Leitch, ed. The Oxford Handbook of Adaptation Studies (New York: Oxford, 2017).

Stam, R., 2017, “Revisionist Adaptation: Transtextuality, Cross-Cultural Dialogism, and Performative Infidelities, in Thomas Leitch, ed. The Oxford Handbook of Adaptation Studies (New York: Oxford, 2017)..

Research output: Chapter in Book/Report/Conference proceedingChapter

“Scandals in the House of Anthropology: Notes Towards a Reading of Nathaniel Tarn”,

Zamir, S., 1999, cross cultural poetics No. 5.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Scenes of Picturing: Gerald Vizenor’s Phototext,”

Zamir, S., 2011, Gerald Vizenor: Texts and Contexts (Albuquerque: University of New Mexico Press. p. 166-185

Research output: Chapter in Book/Report/Conference proceedingChapter

“Showing & Telling – Drawing & Writing,” in: exh. cat. Lawrence Weiner Drawings – Written on the Wind, Museu d’Art Contemporani de Barcelona

Stemmrich, G., 2013, “Showing & Telling – Drawing & Writing,” in: exh. cat. Lawrence Weiner Drawings – Written on the Wind, Museu d’Art Contemporani de Barcelona.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Skulptur und Fotografie im Wechselspiel,”: “The Interaction between Sculpture and Photography,”

Stemmrich, G., 2004, “Skulptur und Fotografie im Wechselspiel,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Sonja Delaunay – Hans Arp,”

Stemmrich, G., 1992, “Sonja Delaunay – Hans Arp,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Structures of Rhyme, Forms of Participation: The Family of Man as Exhibition”

Zamir, S., 2018, The Family of Man Revisited: Photogarphy in the Global Age.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The American Way of Art und die deutsche Kunst der 60er und 70er Jahre. Europäischer und amerikanischer Minimalismus,”

Stemmrich, G., 1992, “The American Way of Art und die deutsche Kunst der 60er und 70er Jahre. Europäischer und amerikanischer Minimalismus,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Artist as Prophet, Priest and Gunslinger: Ishmael Reed's Cowboy in the Boat of Ra”, Callaloo

Zamir, S., 1994, African-American Poets:. p. 1205 - 35

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Discovery of ‚Boredom’ in American Art,”

Stemmrich, G., 1995, “The Discovery of ‚Boredom’ in American Art,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Family of Man in Munich: Visitors’ Responses”

Zamir, S., 2018, The Family of Man Revisited: Photogarphy in the Global Age.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Family of Man Revisited,” (co-authored) in G. Hurm, A. Reitz and S. Zamir

Zamir, S., 2018, The Family of Man Revisited: Photogarphy in the Global Age.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Image in the Archive: Gerald Vizenor’s A People Named the Chippewa”

Zamir, S., 2009, Writing with Light: Words and Photographs in American Texts. p. 143-162

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Legal Status of Science in the Muslim World in the Early Modern Period: an initial consideration of fatwas from three Maghribi sources,”

Stearns, J. (ed.), 2011, “The Legal Status of Science in the Muslim World in the Early Modern Period: an initial consideration of fatwas from three Maghribi sources,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Long 1968 and Radical Film Aesthetics,” in Christian Gerhardt and Sara Saljoughi eds. 1968 and Global Cinema (Detroit: Wayne State University Press, 2018)

Stam, R., 2018, “The Long 1968 and Radical Film Aesthetics,” in Christian Gerhardt and Sara Saljoughi eds. 1968 and Global Cinema (Detroit: Wayne State University Press, 2018).

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Science in/of Art,”

Stemmrich, G., 1998, “The Science in/of Art,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“The Sorrow Songs/Song of Myself: Du Bois, the Crisis of Leadership and the Prophetic Imagination,”: The Black Columbiad: Defining Moments in Afro-American Literature and Culture

Zamir, S., 1994, W.E.B. Du Bois, The Souls of Black Folk, ed. Henry Louis Gates, Jr. and Terri Hume Oliver. p. 145 - 66

Research output: Chapter in Book/Report/Conference proceedingChapter

“Unheard Lament” by Zamiruddin Ahmad, The Annual of Urdu Studies

Zamir, S., 1998, The Annual of Urdu Studies.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Weniger ist mehr – Das kritische Potential minimalistischer Kunst,”

Stemmrich, G., 1998, “Weniger ist mehr – Das kritische Potential minimalistischer Kunst,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Whose Truth?” Introduction to Anna Politkovskaia

Derlugyan, G., 2004, A Small Corner of Hell: Reports from Chechnya. University of Chicago Press

Research output: Chapter in Book/Report/Conference proceedingChapter

“Zeichensetzung zwischen Marcel Broodthaers und Jasper Johns,”

Stemmrich, G., 2002, “Zeichensetzung zwischen Marcel Broodthaers und Jasper Johns,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Zeichen Zeichnen Zeit,” in: Ausst.-Kat. Sandra Peters, Kunstmuseum Bonn, 17-23

Stemmrich, G., 2007, “Zeichen Zeichnen Zeit,” in: Ausst.-Kat. Sandra Peters, Kunstmuseum Bonn, 17-23.

Research output: Chapter in Book/Report/Conference proceedingChapter

“Zur Einrichtung der Forschergruppe Transkulturelle Verhandlungsräume von Kunst (FOR1703) am Kunsthistorischen Institut der Freien Universität Berlin,”

Stemmrich, G., 2012, “Zur Einrichtung der Forschergruppe Transkulturelle Verhandlungsräume von Kunst (FOR1703) am Kunsthistorischen Institut der Freien Universität Berlin,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“‘Die helle Kammer’ – Isa Genzken’s Fotoarbeit Spiegel,”

Stemmrich, G., 1998, “‘Die helle Kammer’ – Isa Genzken’s Fotoarbeit Spiegel,”.

Research output: Chapter in Book/Report/Conference proceedingChapter

“‘Talking about the essence of something’ – History, Discourse, and Myth in Cy Twombly’s Work,” in:

Stemmrich, G., 2009, “‘Talking about the essence of something’ – History, Discourse, and Myth in Cy Twombly’s Work,” in:.

Research output: Chapter in Book/Report/Conference proceedingChapter

“’Art Science’: The North American Indian as Phototext,”

Zamir, S., 2012, The Photobook from Talbot to Ruscha and Beyond. p. 35-51

Research output: Chapter in Book/Report/Conference proceedingChapter