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• Performance

  Pause Festival, Federation Square, Melbourne, Australia

  Sherwood, A., 2015

  Research output: Non-textual form › Performance

• Peabody Conservatory, Johns Hopkins University, Baltimore

  Nonken, M., Mar 2004

  Research output: Non-textual form › Performance

• Peregrinação (4’)

  Guedes, C., 1998

  Research output: Non-textual form › Performance

• Performance: A funny thing happened… (Huntington Beach Playhouse, Philia)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: City of angels (University of California, Irvine, (Ensemble))

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Little women (Theatre East, Jo March)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Chopichopin (Fortepiano)

  Scherzinger, M., Nov 2015

  Research output: Non-textual form › Performance

• Performance: World Premiere of Five Illusionist Paraphrases

  Scherzinger, M., 2009

  Research output: Non-textual form › Performance

• Performance: Luv (University of California, Irvine, (Ellen))

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: One tennis shoe (New York University, Sylvia)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Bye by birdie (Encore Entertainment, Alice (Dance Captain, U/S Ursula))

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: 1776 (Lamb's Players Theatre, Martha Jefferson)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: 42nd Street (Welk Resort Theatre, Phyllis)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: macchina da scrivere d’opera (Black Box Theater, New York University)

  Scherzinger, M., Feb 21 2013

  Research output: Non-textual form › Performance

• Performance: Etudes for Marimba: “Etude 1: Florestan’s Island” and “Etude 2: Chopi/Chopin”

  Scherzinger, M., Mar 2012

  Research output: Non-textual form › Performance

• Performance: 42nd Street (Theatre East, Anytime Annie)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Sound of Music (Mount Helix Amphitheatre, Maria Von Trapp)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: South Pacific (Mount Helix Amphitheatre Nellie Forbush)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Still life (New Village Arts, Cheryl)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Detective story (Lamb’s Players Theatre, Susan Carmichael)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Twelfth night (New Village Arts, Valentine)

  Cordileone, A., 1800

  Research output: Non-textual form › Performance

• Performance: Chopichopin (USA)

  Scherzinger, M., Jan 2016

  Research output: Non-textual form › Performance

• Performance Masanga (Two Pianos) and Nhemamusasa (Two Pianos) (Konservatorium, University of Stellenbosch, Stellenbosch, South Africa)

  Scherzinger, M., Jul 25 1999

  Research output: Non-textual form › Performance

• Performance of Across the Dancing Ground (String Quartet) (Barnes Hall, Cornell University, Ithaca)

  Scherzinger, M., Jan 29 2002

  Research output: Non-textual form › Performance

• Performance of Across the Dancing Ground (Trinity-St. Paul, Toronto, Canada)

  Scherzinger, M., Sep 24 2001

  Research output: Non-textual form › Performance

• Performance of Across the Dancing Ground (Twelve Strings and Occasional Rattles) (Dloor Street United Church, Toronto, Canada)

  Scherzinger, M., Nov 8 2000

  Research output: Non-textual form › Performance

• Performance of African Alchemies, Hallucinating Accordion, and Uzungu Agona (McAlpin Hall, Princeton University)

  Scherzinger, M., May 16 2007

  Research output: Non-textual form › Performance

• Performance of African Alchemies: Linear Tracings of the Initial Infamies (Christ Episcopal Church, Rochester, New York)

  Scherzinger, M., Apr 9 2001

  Research output: Non-textual form › Performance

• Performance of Chorale: Afrika for marimba (Johannesburg, South Africa)

  Scherzinger, M., Oct 4 2011

  Research output: Non-textual form › Performance

• Performance of complete works for Two Pianos (South African Broadcasting Corporation Radio Studios, Johannesburg, South Africa)

  Scherzinger, M., Jan 29 1996

  Research output: Non-textual form › Performance

• Performance of complete works for two pianos to launch the “New Music at Rhodes” Series (Grahamstown, South Africa)

  Scherzinger, M., Feb 20 1998

  Research output: Non-textual form › Performance

• Performance of Etudes for Marimba: “Etude 1: Florestan’s Island” and “Etude 2: Chopi/Chopin” (Johannesburg, South Africa)

  Scherzinger, M., Aug 2012

  Research output: Non-textual form › Performance

• Performance of Hallucinating Accordion

  Scherzinger, M., Mar 30 2011

  Research output: Non-textual form › Performance

• Performance of Hallucinating Accordion (Rhodes Chapel, Grahamstown, South Africa)

  Scherzinger, M., Jul 5 2006

  Research output: Non-textual form › Performance

• Performance of Horse Gallops on Post-Haste (Piano Duo) (Kilbourn Hall, Eastman School Of Music, Rochester, NY)

  Scherzinger, M., Jul 31 2004

  Research output: Non-textual form › Performance

• Performance of Last Etude and Prelude Too (Marimba Duo) (Taplin Auditorium, Princeton, NJ)

  Scherzinger, M., Oct 20 2004

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos), “Moving Forward: New Keyboard Music from South Africa” (Institute of Contemporary Arts, The Mall, London)

  Scherzinger, M., Mar 31 1996

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos) (BPCC Auditorium, Bossier Arts Coucil, Louisiana)

  Scherzinger, M., Feb 8 2001

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos) (International Society for Music Educators, Edmonton)

  Scherzinger, M., Jul 19 2000

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos) (Maitisong, Botswana)

  Scherzinger, M., Oct 7 2000

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos) (University of Pittsburgh, Philadephia)

  Scherzinger, M., Oct 9 1999

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos) (Warren Theatre, Texas A&M University-Corpus Christi, Texas)

  Scherzinger, M., Feb 19 2001

  Research output: Non-textual form › Performance

• Performance of Masanga (Two Pianos) and Nhemamusasa (Two Pianos) (Logos, The Netherlands), Performed at 1 other place

  Scherzinger, M., Sep 16 1999

  Research output: Non-textual form › Performance

• Performance of Masanga and Nhemamusasa (Piano Duo) (Music Gallery @ St. George the Martyr, Toronto)

  Scherzinger, M., Feb 28 2002

  Research output: Non-textual form › Performance

• Performance of My Friend, the Ugly One (String Quartet and Voice) and Across the Dancing Ground (Grahamstown, South Africa)

  Scherzinger, M., Jul 1 2002

  Research output: Non-textual form › Performance

• Performance of Piano Trio (Taplin Auditorium, Princeton, NJ)

  Scherzinger, M., Nov 9 2004

  Research output: Non-textual form › Performance

• Performance of selected performances of original works and traditional African works (Eastman School of Music, Rochester, New York)

  Scherzinger, M., Dec 13 2007

  Research output: Non-textual form › Performance

• Performance of String Trio (St. John’s Smith Square, London, U.K.)

  Scherzinger, M., Nov 3 1995

  Research output: Non-textual form › Performance

• Performance of Those Who Enter Stamping (Flute, Percussion, Harp, Viola) and Piano Trio (Doopgezinde Kerk, Amsterdam, Nerthelands)

  Scherzinger, M., Jan 8 2005

  Research output: Non-textual form › Performance

• Performance of Type-Writer Opera for Pianoslam 8, Miami, FL

  Scherzinger, M., Apr 13 2016

  Research output: Non-textual form › Performance