Abstract
There is certainly much to be said about the destruction of history and heritage in Iraq during the past century. Such a discussion, however, becomes particularly significant to the years of sanctions and following the US-led invasion. The extreme and sudden disintegration of Iraq's cultural institutions and structures following the 2003 invasion, with its short- and long-term ramifications, presents an unprecedented case. I focus here on Iraq's visual art production; what has been historically known as fine arts (painting, sculpture, photography, graphic designs, etc.), both in their private and public forms. This chapter covers a number of theoretical and practical implications of the situation as it affects the production of Iraqi art.
Original language | English (US) |
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Title of host publication | We Are Iraqis |
Subtitle of host publication | Aesthetics and Politics in a Time of War |
Publisher | Syracuse University Press |
Pages | 5-23 |
Number of pages | 19 |
Volume | 9780815651994 |
ISBN (Electronic) | 9780815651994 |
ISBN (Print) | 9780815633013 |
State | Published - 2012 |
ASJC Scopus subject areas
- General Social Sciences