Bifurcations of Iraq's visual culture

Nada Shabout

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

There is certainly much to be said about the destruction of history and heritage in Iraq during the past century. Such a discussion, however, becomes particularly significant to the years of sanctions and following the US-led invasion. The extreme and sudden disintegration of Iraq's cultural institutions and structures following the 2003 invasion, with its short- and long-term ramifications, presents an unprecedented case. I focus here on Iraq's visual art production; what has been historically known as fine arts (painting, sculpture, photography, graphic designs, etc.), both in their private and public forms. This chapter covers a number of theoretical and practical implications of the situation as it affects the production of Iraqi art.

Original languageEnglish (US)
Title of host publicationWe Are Iraqis
Subtitle of host publicationAesthetics and Politics in a Time of War
PublisherSyracuse University Press
Pages5-23
Number of pages19
Volume9780815651994
ISBN (Electronic)9780815651994
ISBN (Print)9780815633013
StatePublished - 2012

ASJC Scopus subject areas

  • General Social Sciences

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