TY - GEN
T1 - Camel
T2 - 13th Sound and Music Computing Conference, SMC 2016
AU - Trochidis, Konstantinos
AU - Guedes, Carlos
AU - Anantapadmanabhan, Akshay
AU - Klaric, Andrija
N1 - Publisher Copyright:
Copyright: © 2016 Maria Abela Scicluna et al. This is an open-access article distributed under the terms of the Creative Commons Attribution 3.0 Unported License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
PY - 2019/1/1
Y1 - 2019/1/1
N2 - In this paper we explore a method for automatically generating Carnatic style rhythmic. The method uses a set of annotated Carnatic percussion performances to generate new rhythmic patterns. The excerpts are short percussion solo performances in ādi tāla (8 beat-cycle), performed in three different tempi (slow/moderate/fast). All excerpts were manually annotated with beats, downbeats and strokes in three different registers - Lo-Mid-Hi. N-gram analysis and Markov chains are used to model the rhythmic structure of the music and determine the progression of the generated rhythmic patterns. The generated compositions are evaluated by a Carnatic music percussionist through a questionnaire and the overall evaluation process is discussed. Results show that the system can successfully compose Carnatic style rhythmic performances and generate new patterns based on the original compositions.
AB - In this paper we explore a method for automatically generating Carnatic style rhythmic. The method uses a set of annotated Carnatic percussion performances to generate new rhythmic patterns. The excerpts are short percussion solo performances in ādi tāla (8 beat-cycle), performed in three different tempi (slow/moderate/fast). All excerpts were manually annotated with beats, downbeats and strokes in three different registers - Lo-Mid-Hi. N-gram analysis and Markov chains are used to model the rhythmic structure of the music and determine the progression of the generated rhythmic patterns. The generated compositions are evaluated by a Carnatic music percussionist through a questionnaire and the overall evaluation process is discussed. Results show that the system can successfully compose Carnatic style rhythmic performances and generate new patterns based on the original compositions.
UR - http://www.scopus.com/inward/record.url?scp=85064332645&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85064332645&partnerID=8YFLogxK
M3 - Conference contribution
AN - SCOPUS:85064332645
T3 - SMC 2016 - 13th Sound and Music Computing Conference, Proceedings
SP - 475
EP - 479
BT - SMC 2016 - 13th Sound and Music Computing Conference, Proceedings
A2 - Grossmann, Rolf
A2 - Hajdu, Georg
PB - Zentrum fur Mikrotonale Musik und Multimediale Komposition (ZM4), Hochschule fur Musik und Theater
Y2 - 31 August 2019 through 3 September 2019
ER -