TY - CHAP
T1 - Digital Expressions of the Self(ie)
T2 - The Social Life of Selfies in India
AU - Ray, Avishek
AU - Dattatreyan, Ethiraj Gabriel
AU - Raman, Usha
AU - Webb, Martin
AU - Gupta, Neha
AU - Komarraju, Sai Amulya
AU - Premika, Anuja
AU - Azam, Riad
AU - Salim, Farhat
AU - Subramanian, Pranavesh
N1 - Publisher Copyright:
© 2024 Avishek Ray, Ethiraj Gabriel Dattatreyan, Usha Raman, Martin Webb, Neha Gupta, Sai Amulya Komarraju, Anuja Premika, Riad Azam, Farhat Salim, and Pranavesh Subramanian.
PY - 2024/1/1
Y1 - 2024/1/1
N2 - The book examines the social and cultural role of selfies in India. It looks at how the selfie, unlike the photograph, which was a gesture towards an external reality, remains intimately self-referential, yet reconfigures social ordering, identity formation, agency, and spaces in curious ways.This volume approaches questions about the construction and performance of the self through the digital selfie and uses this situated, contextualized, and culturally specific phenomenon as a site to explore the themes of self-making, place-making, gender, subjectivity, and power. Highlighting the specific contexts of production, the authors examine the array of self-expressive capabilities realized in a multitude of uses of the selfie that simultaneously reconfigure the self, the space, and the world.An important study of visual social media culture, the volume will be useful for interpreting everyday media experiences and will be of interest to students and researchers of image studies, visual studies, photography studies, visual culture, media studies, culture studies, cultural anthropology, digital humanities, popular culture, sociology of technology, and South Asian studies.
AB - The book examines the social and cultural role of selfies in India. It looks at how the selfie, unlike the photograph, which was a gesture towards an external reality, remains intimately self-referential, yet reconfigures social ordering, identity formation, agency, and spaces in curious ways.This volume approaches questions about the construction and performance of the self through the digital selfie and uses this situated, contextualized, and culturally specific phenomenon as a site to explore the themes of self-making, place-making, gender, subjectivity, and power. Highlighting the specific contexts of production, the authors examine the array of self-expressive capabilities realized in a multitude of uses of the selfie that simultaneously reconfigure the self, the space, and the world.An important study of visual social media culture, the volume will be useful for interpreting everyday media experiences and will be of interest to students and researchers of image studies, visual studies, photography studies, visual culture, media studies, culture studies, cultural anthropology, digital humanities, popular culture, sociology of technology, and South Asian studies.
UR - http://www.scopus.com/inward/record.url?scp=85183287955&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85183287955&partnerID=8YFLogxK
U2 - 10.4324/9781032694726
DO - 10.4324/9781032694726
M3 - Chapter
AN - SCOPUS:85183287955
SN - 9781032694788
SP - 1
EP - 133
BT - Digital Expressions of the Self(ie)
PB - Taylor and Francis
ER -