Abstract
This article discusses how the seemingly contradictory construction of many early television comedy stars bespeaks rather coherent symbolic constructions of ethnicity, masculinity, and anxieties over the changing demographics of the American cultural, landscape. © 2002 by the University of Texas Press.
Original language | English (US) |
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Title of host publication | Television |
Subtitle of host publication | The Critical View |
Editors | Horace Newcomb |
Place of Publication | New York |
Publisher | Oxford University Press |
Edition | 7th |
DOIs | |
State | Published - 2006 |
ASJC Scopus subject areas
- Visual Arts and Performing Arts