Abstract
Most automatic chord recognition systems follow a standard approach combining chroma feature extraction, filtering and pattern matching. However, despite much research, there is little understanding about the interaction between these different components, and the optimal parameterization of their variables. In this paper we perform a systematic evaluation including the most common variations in the literature. The goal is to gain insight into the potential and limitations of the standard approach, thus contributing to the identification of areas for future development in automatic chord recognition. In our study we find that filtering has a significant impact on performance, with self-transition penalties being the most important parameter; and that the benefits of using complex models are mostly, but not entirely, offset by an appropriate choice of filtering strategies.
Original language | English (US) |
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Title of host publication | Proceedings of the 7th Sound and Music Computing Conference, SMC 2010 |
Publisher | Sound and music Computing network |
Pages | 31 |
Number of pages | 1 |
State | Published - 2010 |
Event | 7th Sound and Music Computing Conference, SMC 2010 - Barcelona, Spain Duration: Jul 21 2010 → Jul 24 2010 |
Other
Other | 7th Sound and Music Computing Conference, SMC 2010 |
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Country/Territory | Spain |
City | Barcelona |
Period | 7/21/10 → 7/24/10 |
ASJC Scopus subject areas
- General Computer Science