Joël Pommerat Stages the French Revolution: Cą ira: Fin de Louis, i

Christian Biet; Judith Miller

doi:10.1162/DRAM_a_00653

Joël Pommerat Stages the French Revolution: Cą ira: Fin de Louis, i

Christian Biet, Judith Miller

Literature and Creative Writing

Research output: Contribution to journal › Review article › peer-review

Abstract

Joël Pommerat created and staged with his Company Louis Brouillard a version of the onset of the French Revolution. Cą ira: La Fin de Louis focuses on the formation of a National Assembly by recreating debates from within the audience's space. The energetic production, like Lin-Manuel Miranda's Hamilton, foregrounds possibilities rather than lamenting dead ends. Any resemblance to today's political scene is, of course, intentional.

Original language	English (US)
Pages (from-to)	158-165
Number of pages	8
Journal	TDR - The Drama Review - A Journal of Performance Studies
Volume	61
Issue number	2
DOIs	https://doi.org/10.1162/DRAM_a_00653
State	Published - Jun 1 2017

ASJC Scopus subject areas

Visual Arts and Performing Arts
Literature and Literary Theory

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10.1162/DRAM_a_00653

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abstract = "Jo{\"e}l Pommerat created and staged with his Company Louis Brouillard a version of the onset of the French Revolution. C{\c a} ira: La Fin de Louis focuses on the formation of a National Assembly by recreating debates from within the audience's space. The energetic production, like Lin-Manuel Miranda's Hamilton, foregrounds possibilities rather than lamenting dead ends. Any resemblance to today's political scene is, of course, intentional.",

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Joël Pommerat Stages the French Revolution: Cą ira: Fin de Louis, i

Abstract

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