TY - JOUR
T1 - Reflections on music programming for conferences
T2 - The case of smc 2009
AU - Guedes, Carlos
AU - Rebelo, Pedro
N1 - Funding Information:
We would like to thank the School of Music and Performing Arts from the Polytechnic Institute of Porto (ESMAE-IPP), the Polytechnic Institute of Porto (IPP), and CoMeDia (European Union Culture 2007) for the financial and logistic support to the music program. We would like to thank Robert Rowe, Leigh Landy, Joel Chabade, Bruce Pennycook, Luke Dubois, and Atau Tanaka for providing insightful statements about music programming for conferences and agreeing to be cited in the text.
PY - 2010/9
Y1 - 2010/9
N2 - The inclusion of the presentation of music in a conference dealing with technical or cultural aspects of that same music has evolved significantly. An important aspect of music presentation is the opportunity it provides for public engagement. Conferences that have a music program often follow two different approaches, or a combination of these that includes the creation of a music committee inways similar to a scientific committee, or the invitation of curators to select the program for one or more concerts in the conference. Models of new music creation have significantly expanded to include close composer-performer collaboration which in some cases results in coauthorship. The conference-plus-festival format needs to be able to expand and refine the process of submitting a work for public presentation in order to adequately exhibit the variety of approaches to music production and dissemination.
AB - The inclusion of the presentation of music in a conference dealing with technical or cultural aspects of that same music has evolved significantly. An important aspect of music presentation is the opportunity it provides for public engagement. Conferences that have a music program often follow two different approaches, or a combination of these that includes the creation of a music committee inways similar to a scientific committee, or the invitation of curators to select the program for one or more concerts in the conference. Models of new music creation have significantly expanded to include close composer-performer collaboration which in some cases results in coauthorship. The conference-plus-festival format needs to be able to expand and refine the process of submitting a work for public presentation in order to adequately exhibit the variety of approaches to music production and dissemination.
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U2 - 10.1162/COMJ_a_00003
DO - 10.1162/COMJ_a_00003
M3 - Article
AN - SCOPUS:77956575190
VL - 34
SP - 10
EP - 19
JO - Computer Music Journal
JF - Computer Music Journal
SN - 0148-9267
IS - 3
ER -