Abstract
A prominent voice in the New Disability Arts movement, Carolyn Lazard is a multidisciplinary artist rethinking captioning and other access techniques as tools for composition. Reading several of Lazard’s works and collaborations, this essay theorizes the style of captions that functions as “scores”—open-ended scripts inviting audience members to activate the work, their bodies, and each other. As performance scores, these captions instruct or otherwise engage with readers/audiences, requesting their participation in the art making process. Lazard’s use of “scores” in works such as A Recipe for Disaster (2018), CRIP TIME (2018), and Notes from a Panorama (2021) carefully centers Black and brown, chronically ill, and other marginalized communities. As such, it uncovers the repetitive care labor of spectatorship as a form of survival.
Original language | English (US) |
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Pages (from-to) | 39-47 |
Number of pages | 9 |
Journal | Film Quarterly |
Volume | 76 |
Issue number | 2 |
State | Published - Dec 1 2022 |
Keywords
- film studies
- critical disability studies
- ableism and ability studies
- crip theory
- arts and disability