TY - JOUR
T1 - Sons and lovers and the Mirage
T2 - Recognition, melodrama and psychoanalysis in Mahfuz's al-Sarab
AU - Kennedy, Philip F.
N1 - Copyright:
Copyright 2010 Elsevier B.V., All rights reserved.
PY - 2010/4/1
Y1 - 2010/4/1
N2 - This essay provides a commentary on one of the less celebrated novels of Najib Mahfuz, al-Sarab (The Mirage), one of a series of tragic melodramas he wrote in the 1940s. Uniquely in Mahfuz's oeuvre, this novel explores an "Oedipal" relationship between the narrator/protagonist and his mother; it is a relationship that blights the man's married life. What Aristotle identified as anagnorisis-a movement towards startling disclosure-is a common feature of Oedipal narratives; the anagnorisis in Sophocles's Oedipus Rex being the most famous example (and Aristotle's favorite instance of tragic disclosure). In general, and across genres, anagnorisis provides narratives with familiar, sometimes comforting, shape; it can also provide an interpretive portal onto the meaning and values revealed by a narrative. It tends to provide closure, especially in melodrama, and often purveys a sense of certainty (though in contemporary or experimental fiction that complacency is often misplaced: incertitude, ambiguity and difficult knowledge are just as often revealed). The commentary below concentrates on three aspects of al-Sarab alluded to and the relationship between them: recognition, psychoanalysis and melodrama.
AB - This essay provides a commentary on one of the less celebrated novels of Najib Mahfuz, al-Sarab (The Mirage), one of a series of tragic melodramas he wrote in the 1940s. Uniquely in Mahfuz's oeuvre, this novel explores an "Oedipal" relationship between the narrator/protagonist and his mother; it is a relationship that blights the man's married life. What Aristotle identified as anagnorisis-a movement towards startling disclosure-is a common feature of Oedipal narratives; the anagnorisis in Sophocles's Oedipus Rex being the most famous example (and Aristotle's favorite instance of tragic disclosure). In general, and across genres, anagnorisis provides narratives with familiar, sometimes comforting, shape; it can also provide an interpretive portal onto the meaning and values revealed by a narrative. It tends to provide closure, especially in melodrama, and often purveys a sense of certainty (though in contemporary or experimental fiction that complacency is often misplaced: incertitude, ambiguity and difficult knowledge are just as often revealed). The commentary below concentrates on three aspects of al-Sarab alluded to and the relationship between them: recognition, psychoanalysis and melodrama.
KW - Anagnorisis
KW - Mahfuz
KW - Melodrama
KW - Oedipal narratives
KW - Psychoanalysis
KW - Recognition
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U2 - 10.1163/157006410X486729
DO - 10.1163/157006410X486729
M3 - Article
AN - SCOPUS:77952737515
SN - 0085-2376
VL - 41
SP - 46
EP - 65
JO - Journal of Arabic Literature
JF - Journal of Arabic Literature
IS - 1-2
ER -