TY - JOUR
T1 - Techniques of Abstraction in Black Arts A Feminist Review Essay
AU - Moore, Kelli
N1 - Publisher Copyright:
© 2022 Smith College.
PY - 2022/10/1
Y1 - 2022/10/1
N2 - This review essay discusses recent exhibitions and accompanying art books published at the threshold of Black philosophy and aesthetics in relation to feminist mourning practices: Nicole Fleetwood’s book and exhibition Marking Time: Art in the Age of Mass Incarceration (2020); Grief and Grievance, an exhibition (2021); a book (2020) conceived by the late Nigerian curator Okwui Enwezor; and Saturation: Race, Art, and the Circulation of Value (2020), edited by C. Riley Snorton and Hentyle Yapp. These books and several others elucidate how relationships between transnational feminism, mourning, and Black works of art speak to Frantz Fanon’s idea of “the leap into existence,” Hortense Spillers’s “dialectics of a global new woman,” and David Marriott’s psycho-political analysis of invention.
AB - This review essay discusses recent exhibitions and accompanying art books published at the threshold of Black philosophy and aesthetics in relation to feminist mourning practices: Nicole Fleetwood’s book and exhibition Marking Time: Art in the Age of Mass Incarceration (2020); Grief and Grievance, an exhibition (2021); a book (2020) conceived by the late Nigerian curator Okwui Enwezor; and Saturation: Race, Art, and the Circulation of Value (2020), edited by C. Riley Snorton and Hentyle Yapp. These books and several others elucidate how relationships between transnational feminism, mourning, and Black works of art speak to Frantz Fanon’s idea of “the leap into existence,” Hortense Spillers’s “dialectics of a global new woman,” and David Marriott’s psycho-political analysis of invention.
UR - http://www.scopus.com/inward/record.url?scp=85143787476&partnerID=8YFLogxK
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U2 - 10.1215/15366936-9882119
DO - 10.1215/15366936-9882119
M3 - Review article
AN - SCOPUS:85143787476
SN - 1536-6936
VL - 21
SP - 413
EP - 435
JO - Meridians
JF - Meridians
IS - 2
ER -