Is listening a performance? How do "invisible" practices like Sufi Muslim sama', or sacred listening, impact the public and secular spaces of contemporary France? What do listening acts reveal about the political viability and performativity of sacred listening in a secular nation?
|Original language||English (US)|
|Number of pages||16|
|Journal||TDR - The Drama Review - A Journal of Performance Studies|
|State||Published - Sep 2013|
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- Literature and Literary Theory