TY - JOUR
T1 - The contribution of timbre attributes to musical tension
AU - Farbood, Morwaread M.
AU - Price, Khen C.
N1 - Publisher Copyright:
© 2017 Acoustical Society of America.
Copyright:
Copyright 2017 Elsevier B.V., All rights reserved.
PY - 2017/1/1
Y1 - 2017/1/1
N2 - Timbre is an auditory feature that has received relatively little attention in empirical work examining musical tension. In order to address this gap, an experiment was conducted to explore the contribution of several specific timbre attributes - inharmonicity, roughness, spectral centroid, spectral deviation, and spectral flatness - to the perception of tension. Listeners compared pairs of sounds representing low and high degrees of each attribute and indicated which sound was more tense. Although the response profiles showed that the high states corresponded with increased tension for all attributes, further analysis revealed that some attributes were strongly correlated with others. When qualitative factors, attribute correlations, and listener responses were all taken into account, there was fairly strong evidence that higher degrees of roughness, inharmonicity, and spectral flatness elicited higher tension. On the other hand, evidence that higher spectral centroid and spectral deviation corresponded to increases in tension was ambiguous.
AB - Timbre is an auditory feature that has received relatively little attention in empirical work examining musical tension. In order to address this gap, an experiment was conducted to explore the contribution of several specific timbre attributes - inharmonicity, roughness, spectral centroid, spectral deviation, and spectral flatness - to the perception of tension. Listeners compared pairs of sounds representing low and high degrees of each attribute and indicated which sound was more tense. Although the response profiles showed that the high states corresponded with increased tension for all attributes, further analysis revealed that some attributes were strongly correlated with others. When qualitative factors, attribute correlations, and listener responses were all taken into account, there was fairly strong evidence that higher degrees of roughness, inharmonicity, and spectral flatness elicited higher tension. On the other hand, evidence that higher spectral centroid and spectral deviation corresponded to increases in tension was ambiguous.
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U2 - 10.1121/1.4973568
DO - 10.1121/1.4973568
M3 - Article
C2 - 28147618
AN - SCOPUS:85010411028
SN - 0001-4966
VL - 141
SP - 419
EP - 427
JO - Journal of the Acoustical Society of America
JF - Journal of the Acoustical Society of America
IS - 1
ER -