Abstract
The Syrian opposition has used web and performance activism to bolster and spread an ethos of creative resistance, subverting state ceremonies and rhetoric. These activists have transformed the martyr into the one who died defying rather than supporting the state.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 116-136 |
| Number of pages | 21 |
| Journal | TDR - The Drama Review - A Journal of Performance Studies |
| Volume | 57 |
| Issue number | 1 |
| DOIs | |
| State | Published - Mar 2013 |
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- Literature and Literary Theory