Abstract
This paper reports on the composition, technology, and performance of The Technophobe and the Madman, a collaborative work commissioned by the New York State Council on the Arts and performed simultaneously at Rensselaer Polytechnic Institute and New York University over an Internet2 connection. The report is framed by a discussion of some issues surrounding distributed performance and concludes with documentation of the work and a consideration of its lessons for interactive multimedia using Internet2.
Original language | English (US) |
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Journal | International Computer Music Conference, ICMC Proceedings |
State | Published - 2004 |
Event | 30th International Computer Music Conference, ICMC 2004 - Miami, United States Duration: Nov 1 2004 → Nov 6 2004 |
ASJC Scopus subject areas
- Music
- Computer Science Applications
- Media Technology