TY - JOUR
T1 - Webnovelas
T2 - Branding Interactivity in Hispanic TV
AU - Piñón, Juan
N1 - Funding Information:
In 2013 Univision produced a new webnovela, Arranque de Pasión, again with Kate del Castillo, who cemented its popularity among US Hispanic audiences based on the box office success of the movie Under the Same Moon (2007) and the historic ratings achieved for Telemundo with the telenovela La Reina del Sur (The Queen of the South, 2011). Arranque de Pasión also sought to attract a wider Latino audience with the inclusion of Christian Meier and Carlos Ponce, very well-known stars from Peru and Puerto Rico who enjoy regional visibility. Arranque de Pasión was sponsored by Mary Kay, MetroPCS, State Farm, and Western Union and the promotion of NASCAR sports culture (“Univision announces,” 2013). The three leading actors became the embodiment of the qualities of their brands: Ela (Kate del Castillo) as Mary Kay, Jordi (Christian Mier) as State Farm, and Jordi (Carlos Ponce) as Western Union. Within the plot, Ela sends money through Western Union, the cost of Jordi’s car accident is covered by State Farm, Ela uses make-up before every race and Samsung Galaxy mobile-cellphones and Apple mobile devices are ubiquitous throughout the story. The NASCAR competitions create an environment where brands are everywhere: FedEx, Mountain Dew, Subway, Lowe’s, Chevrolet, and Best Buy among many others, while ad spots are sponsored by Honda. Univision Communication Inc. uses the narrative to promote their Univision, UniMás, and Univision Deportes. Mixing fiction with reality, the webnovela inserted the coverage of the program “Contacto Deportivo” from Univision Deportes as a guiding source of information. The webnovela’s site is organized through sections such as “Synopsis,” “Characters,” “Complete Episodes,” “As Recording,” “Videos,” “Pictures,” and “Forum.” In the U-Videos links, the viewer is encouraged to participate with links such as “Videos,” “More information,” “Like,” “Share,” “Add to my list,” and to join in a Chat space for audiences and friends alike. While the characters speak Spanish, the main language of the narrative, they live in a social universe in which English is spoken in public spaces and contexts, such as the Hospital, the NASCAR offices at the motor-racing circuit, and in conversation with figures of authority within the plot.
PY - 2014/7
Y1 - 2014/7
N2 - The Latino television industry has transformed in order to adapt to a new technological environment, and such changes have had a deep impact on their long-standing strategies of production, marketing, distribution, and consumption of media commodities. Because of changing demographics, such companies have moved to reach new audiences. Given the technological sophistication of those audiences, corporations that sell televisual goods have put branding at the forefront. Webnovelas have become a powerful techno-cultural device that achieves the dual goal of becoming a preferred site for brand entertainment through sponsorship, while at the same time triggering audiences interaction in different mobile platforms producing data over audiences conceived as more "valuable consumers." Through data available to companies via audience interaction, these preferred audiences are even more susceptible to further commercial exploitation.
AB - The Latino television industry has transformed in order to adapt to a new technological environment, and such changes have had a deep impact on their long-standing strategies of production, marketing, distribution, and consumption of media commodities. Because of changing demographics, such companies have moved to reach new audiences. Given the technological sophistication of those audiences, corporations that sell televisual goods have put branding at the forefront. Webnovelas have become a powerful techno-cultural device that achieves the dual goal of becoming a preferred site for brand entertainment through sponsorship, while at the same time triggering audiences interaction in different mobile platforms producing data over audiences conceived as more "valuable consumers." Through data available to companies via audience interaction, these preferred audiences are even more susceptible to further commercial exploitation.
UR - http://www.scopus.com/inward/record.url?scp=84905701618&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84905701618&partnerID=8YFLogxK
U2 - 10.1080/15405702.2014.924521
DO - 10.1080/15405702.2014.924521
M3 - Article
AN - SCOPUS:84905701618
SN - 1540-5702
VL - 12
SP - 123
EP - 138
JO - Popular Communication
JF - Popular Communication
IS - 3
ER -